A glittering and magical new production of the timeless tale Beauty and the Beast has taken to the stage at Guildford's Yvonne Arnaud Theatre. This festive show, running until 4 January 2026, reimagines the classic French story with sequins, sparkle, and a high-energy joie de vivre that sweeps the audience along from the very first scene.
A Tale Reimagined with Panache
The storyline follows the familiar arc of an arrogant Prince, cursed by the Sorceress Agatha – played with electric charge by Lucy Benjamin – and transformed into a Beast to learn humility. Director Joanna Read has crafted a production that moves at a brisk pace, ensuring even the most restless young theatre-goer remains captivated. The narrative is punctuated by lighter moments, such as housekeeper Madame Fifi la Fou Fou wondering if the Beast has "combed his face yet," and a mega-mix of classic and contemporary songs performed by the castle's energetic staff.
Professionalism Shines Through Unexpected Challenge
The true brilliance of the production lies in the seamless cohesion and professionalism of the cast. This was thrown into sharp relief when Guildford favourite Peter Gordon, originally cast as Madame Fifi la Fou Fou, was indisposed. His role was taken at the last minute by understudy Tom Miller, who strode the stage in outrageous wigs and hooped skirts with remarkable panache. Miller sparred effortlessly with Matt Pinches, who played his son Philipe-Philope. Pinches met the sudden change with cool professionalism, his performance growing in confidence and earning laughter, aided by a cheerfully exaggerated accent that delighted the audience.
From Adult Morality Tale to Family Festive Fun
The production also nods to the story's rich origins. First published in France in 1740 as an adult tale full of court intrigue and complex psychology, it was not adapted for children until 1756, becoming a moral lesson about substance over superficial shine. This modern iteration retains a gentle morality but wraps it in laughter, audience involvement, and festive staples like 'The Twelve Days of Christmas'. The finale sees Belle break the spell, culminating in a joyous 'Love Train' celebration that leaves the audience beaming.
Director Joanna Read has delivered a traditional story in a glittering, bubble-wrapped package that appeals to all generations. The production doesn't ask you to believe in happy-ever-after; it simply proceeds with the confident assumption that you already do. Tickets for the run, which continues until 4 January 2026, are available now.
