Earning hundreds of pounds for a single day's work is a reality for film and television extras across the UK, with daily rates reaching up to £250. This flexible side hustle, known as being a 'supporting artist', offers a unique chance to appear in major productions while boosting your income.
What Can You Earn as a Supporting Artist?
According to industry experts, the pay for extras is substantial. Casting Collective states that daily earnings typically range from £150 to £250 on average. Real-life examples back this up. Theo Fraser, a 25-year-old PR worker, was paid approximately £250 for a single day filming on Christopher Nolan's epic war film, Dunkirk.
"I was one of the civilians at the train station," Fraser explains. "My job was walking up and down the platform, handing out bottles of beer to the soldiers coming home. I got paid about £250 for the day, plus an extra £50 as compensation for letting them cut my hair."
How to Get Started in the Extra Business
Aspiring extras are strongly advised to register with reputable casting agencies to access opportunities. Key agencies mentioned by professionals include Uni-versal Extras, Extra People, Ray Knight Casting, Phoenix Casting, and Casting Collective. These agencies are the gateway to roles on popular shows like BBC's EastEnders, ITV dramas, and even Apple TV+'s Slow Horses.
Vicky Wilson, a casting team support manager at Casting Collective, emphasises the importance of a good profile. "Keep your profile fresh and accurate," she advises. "Clear, recent photos that reflect how you look now, up-to-date measurements, and any new skills make a big difference when matching people to roles. Uploading a few extra photos can also help you stand out."
Flexibility and Opportunity Across the UK
While being near production hubs like London helps, filming happens nationwide. Indiana West, Head of Marketing at Uni-versal Extras, confirms that work is available "from small towns to scenic countryside spots" across the UK and Ireland. Productions often provide shuttle services from nearby transport hubs to ensure accessibility.
However, success requires patience and a flexible schedule. Simon Turner, a 68-year-old photographer from south London with about 25 credits including The Crown and Slow Horses, shares his experience. "The chances of being picked are low (less than one in 20 for me)," he says. "If you accept, you are expected to keep that day free. You might be told just days in advance if you get the job."
For those with the right attitude and availability, working as a film and TV extra presents a compelling and financially rewarding way to step into the world of screen entertainment.
